Adoration of the Magi
Sandro Botticelli, 1475
From €29Museum-quality print, also on canvas and framed.
Frequently asked questions
Which size should I choose?
This work is available in 30 × 40 cm, 50 × 70 cm, 70 × 100 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.
Does it come framed?
The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.
When will it arrive?
Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.
What if it arrives damaged?
Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.
Can I send it as a gift?
Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.
About the work
- Artist
- Sandro Botticelli
- Date
- 1475
- Medium
- Oil tempera on panel
- Dimensions
- 111 x 137 cm (según el museo Uffizi); otras fuentes dan 111 x 134 cm
- Collection
- Uffizi Galleries, Florence
- Print up to
- 70 × 100 cm
- Reference
- XDV-3860
What the museum label doesn't tell you
Look closely at who kneels before the Child: they're portraits of the Medici, and every one of them—Cosimo, Lorenzo, Giuliano, Piero—was already dead when Botticelli painted them. This isn't a religious scene with cameos, it's a genealogy of ghosts gathered to worship. The patron was Gaspare del Lama, a banker who'd soon be convicted of fraud: he paid to buy prestige alongside Florence's most powerful family, even if it meant painting them back to life. And there, at the right edge, Botticelli paints himself staring straight at us, as if making us witnesses to the whole arrangement. Anyone else notice the Epiphany doubling as a scripted wake?
