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Diana and Actaeon, by Titian

Diana and Actaeon

Titian, 1559

From €29Museum-quality print, also on canvas and framed.

Print size
Or on canvas, ready to hang

344 g/m² canvas on a 3 cm wooden stretcher. The image fills the canvas and wraps around the edges.

Frame

Free shipping on two prints. Three or more, 10% off them all.

  • Museum matte paper, 200 g/m²
  • Printed for you, no warehouse stock
  • White border, the whole painting
  • Tracked shipping
  • Secure payment with Stripe
  • Damaged in transit? Free replacement

How it looks above a 2-metre sofa

Frequently asked questions

Which size should I choose?

This work is available in 30 × 40 cm, 50 × 70 cm, 70 × 100 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.

Does it come framed?

The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.

When will it arrive?

Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.

What if it arrives damaged?

Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.

Can I send it as a gift?

Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.

About the work

Artist
Titian
Date
1559
Medium
Oil on canvas
Dimensions
184,5 x 202,2 cm
Collection
National Gallery, London / National Galleries of Scotland, Edinburgh (joint ownership)
Print up to
70 × 100 cm
Reference
XDV-4177

What the museum label doesn't tell you

Up on the pillar, half-swallowed by branches, hangs a stag skull with full antlers. Nobody inside the painting notices it. Actaeon, arm raised to pull back the red curtain, has no idea those antlers are about to become his own - Titian hands the ending to us before the hero even reaches it. This poesia was painted for Philip II around 1556-1559, paired with Diana and Callisto, sharing the same landscape and stream though lit from opposite sides. Would any painter today dare spoil the twist before the scene even starts?

Sources (4)

Complete the wall

They look great together

Two ship free. Three or more, 10% off them all.

By the same artist

More by Titian

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Adoration of the Magi, TitianAdoration of the MagiTitian, 1500From €29Allegory of Prudence, TitianAllegory of PrudenceTitian, 1565From €29Allegory of Love, TitianAllegory of LoveTitian, 1520From €29Alfonso d'Este (1486–1534), Duke of Ferrara, TitianAlfonso d'Este (1486–1534), Duke of FerraraTitian, 1600From €29Sacred and Profane Love, TitianSacred and Profane LoveTitian, 1514From €29Apollo and Marsyas, TitianApollo and MarsyasTitian, 1576From €29Assumption of the Virgin, TitianAssumption of the VirginTitian, 1518From €29Bacchus and Ariadne, TitianBacchus and AriadneTitian, 1523From €29

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