Frequently asked questions
Which size should I choose?
This work is available in 30 × 40 cm, 50 × 70 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.
Does it come framed?
The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.
When will it arrive?
Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.
What if it arrives damaged?
Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.
Can I send it as a gift?
Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.
About the work
- Artist
- Paul Cézanne
- Date
- 1878
- Medium
- Oil on canvas
- Dimensions
- 22,9 x 33 cm (9 x 13 in)
- Collection
- The Metropolitan Museum of Art, New York
- Print up to
- 50 × 70 cm
- Reference
- XDV-3410
What the museum label doesn't tell you
Cézanne painted these apples in two separate moments, as two distinct exercises never intended to coexist on the same canvas. The brownish tone in the lower left corner and the right edge is not even his own: it is believed to have been added by Vollard, his dealer, before selling the work to Vuillard in exchange for one of the latter's paintings. So what you see is not only the painter's hand, but also the hand of the market. Does it change anything to know that part of what you admire was not decided by the artist?
