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Hadleigh Castle: The Mouth of the Thames – Morning after a Stormy Night, by John Constable

Hadleigh Castle: The Mouth of the Thames – Morning after a Stormy Night

John Constable, 1829

From €29Museum-quality print, also on canvas and framed.

Print size
Or on canvas, ready to hang

344 g/m² canvas on a 3 cm wooden stretcher. The image fills the canvas and wraps around the edges.

Frame

Free shipping on two prints. Three or more, 10% off them all.

  • Museum matte paper, 200 g/m²
  • Printed for you, no warehouse stock
  • White border, the whole painting
  • Tracked shipping
  • Secure payment with Stripe
  • Damaged in transit? Free replacement

How it looks above a 2-metre sofa

Frequently asked questions

Which size should I choose?

This work is available in 30 × 40 cm, 50 × 70 cm, 70 × 100 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.

Does it come framed?

The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.

When will it arrive?

Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.

What if it arrives damaged?

Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.

Can I send it as a gift?

Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.

About the work

Artist
John Constable
Date
1829
Medium
Oil on canvas
Dimensions
121,9 cm × 164,5 cm (48,0 x 64,8 in)
Collection
Yale Center for British Art, New Haven
Print up to
70 × 100 cm
Reference
XDV-2744

What the museum label doesn't tell you

The preparatory sketch held by Tate retains strips of canvas added at the left and lower edges, whose authorship has been debated by specialists: technical analyses (X-ray, pigments) suggest they were added by another hand some time later, possibly commissioned by the dealer Percy Moore Turner after he acquired the damaged work in 1930.

Sources (5)

Complete the wall

They look great together

Two ship free. Three or more, 10% off them all.

By the same artist

More by John Constable

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Weymouth Bay, John ConstableWeymouth BayJohn Constable, 1816Boat Building, John ConstableBoat BuildingJohn Constable, 1814From €29Branch Hill Pond, Hampstead, John ConstableBranch Hill Pond, HampsteadJohn Constable, 1828From €29The Cornfield, John ConstableThe CornfieldJohn Constable, 1826Wheatfield, John ConstableWheatfieldJohn Constable, 1826The White Horse, John ConstableThe White HorseJohn Constable, 1819From €29The Hay Wain, John ConstableThe Hay WainJohn Constable, 1821From €29Cenotaph to the Memory of Sir Joshua Reynolds, John ConstableCenotaph to the Memory of Sir Joshua ReynoldsJohn Constable, 1836From €29

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