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The Virgin of Chancellor Rolin, by Jan van Eyck

The Virgin of Chancellor Rolin

Jan van Eyck, 1435

From €29Museum-quality print, also framed.

Print size
Frame

Free shipping on two prints. Three or more, 10% off them all.

  • Museum matte paper, 200 g/m²
  • Printed for you, no warehouse stock
  • White border, the whole painting
  • Tracked shipping
  • Secure payment with Stripe
  • Damaged in transit? Free replacement

How it looks above a 2-metre sofa

Frequently asked questions

Which size should I choose?

This work is available in 30 × 40 cm, 50 × 70 cm, 70 × 100 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.

Does it come framed?

The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.

When will it arrive?

Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.

What if it arrives damaged?

Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.

Can I send it as a gift?

Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.

About the work

Artist
Jan van Eyck
Date
1435
Medium
Oil on oak panel
Dimensions
66 x 62 cm
Collection
Musée du Louvre, Paris
Print up to
70 × 100 cm
Reference
XDV-2417

What the museum label doesn't tell you

Look at the terrace wall in the background, right behind the two figures gazing at the landscape: two tiny hooded men, barely visible, peering over the battlements. Nobody knows who they are. One theory says it's Van Eyck himself and an assistant, slipped into the scene the way he signed the Arnolfini mirror without signing it. A Burgundian chancellor kneels before the Virgin, and the painter watches from the far end of the panel, as if checking his client's devotion was genuine. The whole landscape behind them - river, city, mountains - is painted at such tiny scale the Louvre itself notes it's almost invisible to the naked eye. Quiet signature, or quality control on his own commission?

Sources (5)

Complete the wall

They look great together

Two ship free. Three or more, 10% off them all.

By the same artist

More by Jan van Eyck

See all their works
Baudouin de Lannoy, Jan van EyckBaudouin de LannoyJan van Eyck, 1435From €29Copy of Christ of the True Cross, Jan van EyckCopy of Christ of the True CrossJan van Eyck, 1440From €29Diptych of the Crucifixion and the Last Judgement, Jan van EyckDiptych of the Crucifixion and the Last JudgementJan van Eyck, 1430From €29The Last Judgement (Detail), Jan van EyckThe Last Judgement (Detail)Jan van Eyck, 1430The Arnolfini Portrait, Jan van EyckThe Arnolfini PortraitJan van Eyck, 1434From €29Man in a Red Turban, Jan van EyckMan in a Red TurbanJan van Eyck, 1433From €29The Annunciation, Jan van EyckThe AnnunciationJan van Eyck, 1434From €29The Annunciation (Washington), Jan van EyckThe Annunciation (Washington)Jan van Eyck, 1436From €29

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