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Lais of Corinth, by Hans Holbein the Younger

Lais of Corinth

Hans Holbein the Younger, 1526

From €29Museum-quality print, also on canvas and framed.

Print size
Or on canvas, ready to hang

344 g/m² canvas on a 3 cm wooden stretcher. The image fills the canvas and wraps around the edges.

Frame

Free shipping on two prints. Three or more, 10% off them all.

  • Museum matte paper, 200 g/m²
  • Printed for you, no warehouse stock
  • White border, the whole painting
  • Tracked shipping
  • Secure payment with Stripe
  • Damaged in transit? Free replacement

How it looks above a 2-metre sofa

Frequently asked questions

Which size should I choose?

This work is available in 30 × 40 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.

Does it come framed?

The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.

When will it arrive?

Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.

What if it arrives damaged?

Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.

Can I send it as a gift?

Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.

About the work

Artist
Hans Holbein the Younger
Date
1526
Medium
Oil and tempera on wood
Collection
Kunstmuseum Basel
Print up to
30 × 40 cm
Reference
XDV-2038

What the museum label doesn't tell you

Look at her right hand: it grazes the table, almost touching the gold coins without picking them up. No greed, no shame, just distance. And one fact makes that distance stranger: Holbein traced this exact outline, flipped, to later paint Venus. So the courtesan who charges for love and the goddess who embodies it for free share the same underlying drawing. The model, likely Magdalena Offenburg, lent her silhouette to two opposite myths without leaving the studio. Which version do you think actually captures her, and which one just borrows her shape?

Sources (4)

Complete the wall

They look great together

Two ship free. Three or more, 10% off them all.

By the same artist

More by Hans Holbein the Younger

See all their works
Self-Portrait, Hans Holbein the YoungerSelf-PortraitHans Holbein the Younger, 1542From €29Benedikt von Hertenstein (born circa 1495, died 1522), Hans Holbein the YoungerBenedikt von Hertenstein (born circa 1495, died 1522)Hans Holbein the Younger, 1517From €29Christina of Denmark, Hans Holbein the YoungerChristina of DenmarkHans Holbein the Younger, 1538From €29Derick Berck of Cologne, Hans Holbein the YoungerDerick Berck of CologneHans Holbein the Younger, 1536From €29Edward VI (1537–1553) as Duke of Cornwall, Hans Holbein the YoungerEdward VI (1537–1553) as Duke of CornwallHans Holbein the Younger, 1545From €29Portrait of Nicolaus Kratzer, Hans Holbein the YoungerPortrait of Nicolaus KratzerHans Holbein the Younger, 1528The Body of the Dead Christ in the Tomb, Hans Holbein the YoungerThe Body of the Dead Christ in the TombHans Holbein the Younger, 1522The Merchant Georg Gisze, Hans Holbein the YoungerThe Merchant Georg GiszeHans Holbein the Younger, 1532From €29

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