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Autumn Meadows, by George Inness

Autumn Meadows

George Inness, 1869

From €29Museum-quality print, also on canvas and framed.

Print size
Or on canvas, ready to hang

344 g/m² canvas on a 3 cm wooden stretcher. The image fills the canvas and wraps around the edges.

Frame

Free shipping on two prints. Three or more, 10% off them all.

  • Museum matte paper, 200 g/m²
  • Printed for you, no warehouse stock
  • White border, the whole painting
  • Tracked shipping
  • Secure payment with Stripe
  • Damaged in transit? Free replacement

How it looks above a 2-metre sofa

Frequently asked questions

Which size should I choose?

This work is available in 30 × 40 cm, 50 × 70 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.

Does it come framed?

The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.

When will it arrive?

Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.

What if it arrives damaged?

Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.

Can I send it as a gift?

Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.

About the work

Artist
George Inness
Date
1869
Medium
Oil on canvas
Dimensions
30 x 45 1/2 in. (76.2 x 115.6 cm)
Collection
The Metropolitan Museum of Art, New York
Print up to
50 × 70 cm
Reference
XDV-1673

What the museum label doesn't tell you

Inness painted this after the Civil War, and most specialists see in that central burst of light a metaphor for the newly arrived peace: the fields, the cattle drinking calmly, the figures strolling without haste. But the historian Leo Mazow proposes another reading, tied to its first owners, the Springs, founders of a school with ideals of social reform: for him, the figures represent their utopian dream of harmony between classes. The mist and diffuse light also betray his debt to Turner. What do you see first — the calm after the war, or the utopia of those who hung it on their wall?

Sources (2)

Complete the wall

They look great together

Two ship free. Three or more, 10% off them all.

By the same artist

More by George Inness

See all their works
Sunrise, George InnessSunriseGeorge Inness, 1887From €29Sunset at Medfield, Massachusetts, George InnessSunset at Medfield, MassachusettsGeorge Inness, 1875From €29Delaware Water Gap, George InnessDelaware Water GapGeorge Inness, 1861From €29Pine Grove of the Villa Barberini, George InnessPine Grove of the Villa BarberiniGeorge Inness, 1876From €29

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