Frequently asked questions
Which size should I choose?
This work is available in 30 × 40 cm, 50 × 70 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.
Does it come framed?
The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.
When will it arrive?
Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.
What if it arrives damaged?
Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.
Can I send it as a gift?
Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.
About the work
- Artist
- Camille Pissarro
- Date
- 1892
- Print up to
- 50 × 70 cm
- Reference
- XDV-0596
What the museum label doesn't tell you
Pissarro arrives at Kew Gardens, London's most exotic botanical garden, packed with glasshouses full of imperial specimens. What does he paint? This: tall poplars, plain grass, and a Sunday crowd strolling under dappled shade. No orchids, no glass domes in sight. In 1892 he made eleven canvases at Kew, and in nearly all of them he chooses the domestic over the exotic - light filtering through trunks, people walking unaware they're being watched. The exotic was one path away. He painted the shadow of an English tree instead.
