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The Immaculate Conception of the Venerables, or of Soult, by Bartolomé Esteban Murillo

The Immaculate Conception of the Venerables, or of Soult

Bartolomé Esteban Murillo, 1678

From €29Museum-quality print, also on canvas and framed.

Print size
Or on canvas, ready to hang

344 g/m² canvas on a 3 cm wooden stretcher. The image fills the canvas and wraps around the edges.

Frame

Free shipping on two prints. Three or more, 10% off them all.

  • Museum matte paper, 200 g/m²
  • Printed for you, no warehouse stock
  • White border, the whole painting
  • Tracked shipping
  • Secure payment with Stripe
  • Damaged in transit? Free replacement

How it looks above a 2-metre sofa

Frequently asked questions

Which size should I choose?

This work is available in 30 × 40 cm. As a guide: 30 × 40 cm (about 12 × 16 in) for shelves, corners or gallery walls; 50 × 70 cm (about 20 × 28 in) above a dresser, a headboard or a desk; 70 × 100 cm (about 28 × 39 in) as the centrepiece of a living room or the wall above the sofa. Below the buy buttons you can see it to scale above a 2-metre sofa.

Does it come framed?

The print arrives unframed with a white border, ready to frame. If you choose a black or oak frame, it arrives mounted behind acrylic glazing, ready to hang. Canvases come stretched on a wooden frame.

When will it arrive?

Printed to order at the lab closest to your address. It arrives in 4–8 working days in Spain and the EU, and in 6–12 working days in the US, Mexico and other destinations.

What if it arrives damaged?

Email us a photo within 30 days of delivery and we will send you a new one free of charge or refund you.

Can I send it as a gift?

Yes. At checkout you can write a gift message and ship it to the recipient's name and address. The parcel shows no prices.

About the work

Artist
Bartolomé Esteban Murillo
Date
1678
Medium
Oil on canvas
Dimensions
274 x 190 cm
Collection
Museo Nacional del Prado, Madrid
Print up to
30 × 40 cm
Reference
XDV-0434

What the museum label doesn't tell you

Look closely: no Tower of David, no sealed fountain, no palm, no cypress. For an Immaculate Conception that's odd, those attributes were almost mandatory. The Prado's explanation is that they were carved into the original frame, wrapped in the Litany of Loreto. That frame stayed behind in Seville. The canvas didn't: a French marshal took it in 1813, it later sold for a record fortune, and eventually reached the Prado. So what you're seeing is only half an idea, a Virgin ascending stripped bare, her symbolic apparatus left behind, permanently. Can a painting still make sense once its frame is gone.

Sources (6)

Complete the wall

They look great together

Two ship free. Three or more, 10% off them all.

By the same artist

More by Bartolomé Esteban Murillo

See all their works
Don Andrés de Andrade y la Cal, Bartolomé Esteban MurilloDon Andrés de Andrade y la CalBartolomé Esteban Murillo, 1665From €29The Good Shepherd, Bartolomé Esteban MurilloThe Good ShepherdBartolomé Esteban Murillo, 1660From €29The Young Beggar, Bartolomé Esteban MurilloThe Young BeggarBartolomé Esteban Murillo, 1645From €29The Return of the Prodigal Son, Bartolomé Esteban MurilloThe Return of the Prodigal SonBartolomé Esteban Murillo, 1668From €29The Immaculate Conception of El Escorial, Bartolomé Esteban MurilloThe Immaculate Conception of El EscorialBartolomé Esteban Murillo, 1660From €29The Annunciation, Bartolomé Esteban MurilloThe AnnunciationBartolomé Esteban Murillo, 1660The Crucifixion, Bartolomé Esteban MurilloThe CrucifixionBartolomé Esteban Murillo, 1675From €29The Immaculate Conception, Bartolomé Esteban MurilloThe Immaculate ConceptionBartolomé Esteban Murillo, 1680From €29

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